Volume 51, Number 1, Spring 2019
Special Issue:
Fifty Years of Studies in the Novel: A Look Back
Introduction
Everything Old Is Novel Again—Nora Gilbert
Articles with Introductions
Introduction: Michel Fabre’s Capacious Intelligence—WALTON MUYUMBA
Richard Wright: The Man Who Lived Underground (1971)—MICHEL FABRE
Introduction: Caste as Indian: The Anglophone Critic and the Question of National Identity—PRIYAMVADA GOPAL
The Indian Novel in English: A Search for Identity (1972)—K. S. NARAYANA RAO
Introduction: Jane Austen and the Sex-Positive Novel—DEIDRE LYNCH
“A Pair of Fine Eyes”: Jane Austen’s Treatment of Sex (1975)—ALICE CHANDLER
Introduction: An Imaginary Paradise of Individuals—ANNETTE FEDERICO
A Perspective of One’s Own: Thomas Hardy and the Elusive Sue Bridehead (1980)—ELIZABETH LANGLAND
Introduction: Recuperating Romance: Reading Lennox Reading Shakespeare—ALBERT J. RIVERO
Shakespeare’s Novels: Charlotte Lennox Illustrated (1987)—MARGARET ANNE DOODY
Introduction: Ulysses, Gabler, and Kidd: The Personal Note—MARK WOLLAEGER
A Special Issue on Editing Ulysses (1990)—CHARLES ROSSMAN
Introduction: The Place of the Novel in Reparative Reading—DOROTHY J. HALE
Queerer than Fiction (1996)—EVE KOSOFSKY SEDGWICK
Introduction: The Visual Origins of the Material Turn—GABRIEL CERVANTES
Prefiguring Genre: Frontispiece Portraits from Gulliver’s Travels to Millenium Hall (1998)—JANINE BARCHAS
Introduction: Trauma, History, the Indigenous Novel, and the Now—ANGELA CALCATERRA
The Trans/historicity of Trauma in Jeanette Armstrong’s Slash and Sherman Alexie’s Indian Killer (2008)—NANCY VAN STYVENDALE
Introduction: Cormac McCarthy for the Ages—TIMOTHY PARRISH
Cormac McCarthy's The Road as Apocalyptic Grail Narrative (2011)—LYDIA R. COOPER